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Narrative methods in professional settings


‘The notion of a history or narrative seems to be necessary in order to make sense of the notion of a ‘self’; for we make sense – or fail to make sense - of our lives by the kind of story we can – or cannot tell about it.’
Joseph Dunne. (1996)

The turn to biographical/narrative methods in the social sciences has implications, particularly in the helping professions which are only just beginning to be realised in practice.

While professional approaches may differ they all share an interest in understanding how individual biographies shape and are shaped by, social process and institutions. They all share a concern with how individual biographies can be (re-)structured and with which forms of intervention can be demonstrated to be the most effective.

This introductory course aims to critically explore the contribution that biographical/narrative theory and methodolgy can play in this process.




SYLLABUS
OUTLINE

  1. What’s in a Story?
    • Introduction to the narrative metaphor.
    • The narrative construction of identity in an evolutionary context.
    • Language as a structuring principle of consciousness?

  2. What's your Story?
    • The social construction of identity as narrative process.
    • Embodiment and Emplacement.
    • Identity in the context of Globalisation.

  3. Between you me and the gatepost
    • The ethics and politics of biographical narrative research.

  4. Talking the talk
    • Planning and conducting a narrative interview.
    • Micro politics of the interview.
    • Recording the interview.

  5. Doing the business
    • Narrative interview exercise.

  6. The Interviewer’s Tale
    • Reflections on the Narrative Interview.

  7. The Interviewee’s Tale
    • Reflections on the narrative Interview.

  8. Healing Tales.
    • Therapeutic uses of the narrative metaphor.

  9. ‘The moving finger writes and having writ...’
    • Producing a narrative transcript.

10. The Devil in the detail?
    • The range of analytical strategies.

11. Context, Context, Context.
    • Re- Locating Stories in the ‘Life World’



 
 
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